Malpertuis

This is the first in “The Power of Belgian Cinema”, a series of combined lectures and screenings highlighting the accomplishments of Belgian filmmakers on an international level. Over the course of eleven evenings, eleven Belgian film scholars will visit Cinema RITCS to discuss important movements, films, filmmakers in the moving history of Belgian cinema. Each lecture is followed by a screening of a Belgian film (with English subtitles). The screening is then followed by a short Q&A with the film scholar or an invited filmmaker.

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Schedule

18:30 – 19:30 : Lecture

19:45 – 21:45 : Film

21:45 – 22:15 : Q&A with Harry Kümel

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A fresh-faced blond sailor is shanghaied from a '20s port full of sleazy bars and art-nouveau mansions, and held captive in the endless corridors of a crumbling Gothic pile called Malpertuis: we don't discover why until the end, in a denouement as outrageous and devastating as any ever filmed. Kümel elaborates the mystery like a master, drawing much of his design and composition from Surrealist painting (Magritte, de Chirico), and weaving serpentine patterns from the intrigues between the many characters. Welles is at his most mountainous as the house's patriarch; Hampshire is a revelation, playing three contrasted women. (Time Out, 1990)

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