Moving Bodies, Sharp Words

As Kaaitheater continues its nomadic journey across Brussels, its autumn program lands in various venues with a lineup that refuses to play it safe. This season is built on friction and vulnerability, mixing avant-garde fashion, contemporary dance, words and surreal tales. From the deep emotional resonance of HOUB (Soumaya Phéline Abouda & Zaïneb Hamdi) to the unapologetic queer rage of anger angels (Sophia Rodriguez & Teresa Vittucci), Kaaitheater is turning the city into a canvas for radical performance. Here are five dates to lock into your calendar.
Pankaj Tiwari: The Harvest of Broken Promises
23-24.10.2026 , De Kriekelaar
What happens when the romanticised promises of progress collide with the harsh realities of the land? In The Harvest of Broken Promises, Indian contemporary artist, writer, curator and theatre maker Pankaj Tiwari interweaves his own history with the stories of a dozen farmers from around the world. Blending video footage, interviews, visual art, and folk tales, Tiwari creates a gripping documentary-performance that captures the profound tension between global ambition, migration, and agriculture. It is a quiet, powerful look at who really pays the price for our modern world.
<div style="padding:56.25% 0 0 0;position:relative;"><iframe src="https://player.vimeo.com/video/1218874473?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share" referrerpolicy="strict-origin-when-cross-origin" style="position:absolute;top:0;left:0;width:100%;height:100%;" title="The Harvest of Broken Promises trailer"></iframe></div><script src="https://player.vimeo.com/api/player.js"></script>
Sophia Rodriguez & Teresa Vittucci: anger angels
26-28.11.2026 , De Kriekelaar
Subtitled ETERNAL LETDOWN, anger angels is exactly what it sounds like: a pure, unfiltered expression of queer rage and resistance. Sophia Rodriguez and Teresa Vittucci take the stage with silver glitter sprinkled across furious faces, channelling the political weight of exhaustion and disappointment into a cathartic theatrical release. It is a fierce, intense performance that refuses to smile or soften its edges, offering instead a powerful space to collectively process the anger of navigating a world that constantly lets you down.
<img class="editorial-image" src="https://cdn.prod.website-files.com/61eebcc683107b99137f4423/6ab248b9c8d33fe573112be2_anger-angels-(ETERNAL%20LETDOWN)-(c)-NN-6.avif"/>
Hanako Hayakawa: 遊戯Yugi no.3 (WT)
25-26.02.2027, Kaaistudios
Looking slightly ahead to the winter program, Japanese dancemaker Hanako Hayakawa zeroes in on the dark side of kawaii. In 遊戯Yugi no.3, she fiercely scrutinises the political aesthetics of cuteness, specifically dissecting the cultural image of 'the girl'. By breaking down the layers of innocence, control, and objectification embedded in these behaviours, Hayakawa weaponises movement to expose what lies beneath the sweet surface. It is a sharp, conceptual dance performance that turns a seemingly harmless aesthetic into a site of rebellion.
<img class="editorial-image" src="https://cdn.prod.website-files.com/61eebcc683107b99137f4423/6ab2491a5776f53e51474e91_Yugi-no-3-(c)-Hayakawa-Hanako-1.avif"/>
<div class="editorial-banner"> <div class=“editorial-credits”>@kaaitheater<br></div>
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