Studying fashion made me realise how polluting the industry is

Related event
Contributors
Share

We toured MoMu’s Exploding Fashion exhibit with Antwerp-based fashion designer Valentine Tinchant. The Polimoda alumni accompanied us through the world of innovative pattern-cutting and gave us her own take on deconstructivism and sustainability. From Rei Kawakubo to Cristóbal Balenciaga to Halston, we discussed the impact of the fashion industry and how it all boils down to perspective.

What did you think of the exhibition as a fashion designer yourself? 

I thought the exhibition was really interesting, it was really cool to see the patterns and how it's all made, how the designers construct the garments and how fragile the patterns and the pieces are. It was also interesting to spot the patterns next to the garments in real life, that’s like being able to discover the secret to a garment.

Interesting to see how the designers construct the garments and how fragile the patterns are

Was there a specific piece that jumped out to you, a piece that you related to or particularly liked?

I think the Rei Kawakubo piece from Comme des Garçons for sure. The pattern impressed me because of how much paper and fabric are actually needed, it’s really impressive to see it on a table like that, it truly stands out compared to the other garments. It’s something completely different.

Would you say you source direct inspiration from Rei Kawakubo in your own work? 

Direct inspiration may not be the right word, although I would say that I deconstruct a lot in my work because I usually upcycle. I have been very inspired by Comme des Garçons and Margiela in the past. Deconstructing and seeing how garments are built makes you understand the process more and discover different ways of working. Sometimes I’m like 'whoa I didn’t even think that this part of a top could be a sleeve'. I like to look at historical pieces but not too much at contemporary ones for the reason that I don’t want to be too influenced when I create.

Where would you say you source most of your inspiration?

Mostly from the street and from the trash in general. Sometimes when I see things or waste on the street, I get inspired. For example, when I see a cool tampon container or something with a cool pattern on it and think, can I use this somehow? 

Like I said, back in the day Martin Margiela was a huge inspiration - and still is - but it might be a bit too dangerous to look at other designers too much. I feel like you can get too influenced and your work will start looking too much like theirs, so I try to avoid that. My mom is also a huge inspiration, she has a crazy style and looking at her and at how she dresses really inspires me.

What drives you in the fashion industry? 

I love making clothes and upcycling, it’s something I’ve been doing since I was a kid. I would just rip up my clothes, make collages and rip up my mom's magazines. It was only when I was studying fashion that I realised how polluting the industry really is. I started thinking about my role in the industry and how I could make a difference, that’s where I landed on sustainability and upcycling.

I think I’d rather help to find ways to upcycle and be more sustainable than add to the problem, that's why I'm not sure about starting my own brand. Of course, there are also brands that I love and support, like Marine Serre, in my opinion, she’s a pioneer in what she’s doing.

I’d rather help to find ways to upcycle and be more sustainable than add to the problem

How do you implement these principles of sustainability into your own work? 

When I make patterns, I always try to use zero-waste cutting techniques, so I lay out fabrics in a way that I waste as little fabric as possible. I usually don’t start with new or even old fabrics. Actually, I mostly don’t even use patterns, I start with existing clothes, then take them apart and remake them into something new. However, sometimes I need patterns, for instance when I take a pair of pants and turn them into a jacket. I usually let the garments speak, take them apart, see how they work, pin different sleeves and see how that looks. Once in a while I make mistakes but that tends to be the most beautiful part of the process, I try to embrace them.

Once in a while, I make mistakes but that tends to be the most beautiful part of the process

@valentinetinchant

Different Class works with the interest of their community at heart.
Our work’s purpose is to foster a solid network for independent artists, those who love them, and those who want to support them. Become a member to contribute to the local Belgian art scene.
THE BASICS OR THE FULL EXPERIENCE

Our membership plans

devoted
The dedicated package for 1 month
10,95/month
Access to all events
Discounts in our shop and in other stores
Our magazine every 2 months
standard
The basics for 1 year
7,95/month
total of 95,4 billed once a year
Access to all events
Discounts in our shop and in other stores
devoted
The full experience for 1 year
8,95/month
total of 107,4 billed once a year
Access to all events
Discounts in our shop and in other stores
Our magazine every 2 months
A Different Class totebag
All prices are in Euro (€), tax included — renews automatically, cancel anytime
Welcome

Name Member